I felt there were some unnecessary scenes that convoluted the main story, such as his father. With the repetitiveness of the plot, this film needed to be cut down to about 1h,30m to have made it more fluid, instead of feeling as if it was all over the place. Had the pace been slow (thankfully it wasn't), it would have been unbearable. I am not a fan of long films (unless the story justifies the length) and this one was just that, very long at 2h,23m, but sadly, the story did not justify the length. The directing, sound and visuals on this film are better than 95% of the Hollywood blockbusters out there, so bravo Travis for converting your vision into this masterpiece and hitting it out of the ball park. Novice producer/writer/director Travis Milloy has created a visually stunning and entertaining indie film that is near perfection, considering it was funded with a Kickstarter campaign and stolen pop-crates (see Trivia section). Reviewed by Top_Dawg_Critic 9 / 10 Amazing indie production that falls short on the long run-time His replayed memories keep taking him to the coffee shop and its owner Gabby. The AI probes his memories hoping Frank will disclose where he hid the thumb drive that contains the virus. Frank is, in fact, guilty of creating a computer virus that crashed the fascist regime's system. Howard is not forthcoming with much information. When he awakes, he is trapped in an automated prison with an AI presence, who answers to the name of Howard, acting as his LSO (Life Support Officer). Frank is in a coffee shop viewing a photo of conifers across a lake when the glass reflects two ISN agents men firing red-lighted weapons at his back.

Infinity chamber